Praised by the Cleveland Plain Dealer as "impossible to resist, captivating with lyricism, tonal warmth, and boundless enthusiasm," violinist Giora Schmidt has appeared with many prominent symphony orchestras around the globe including Chicago, Cleveland, Philadelphia, Canada’s National Arts Centre, Toronto, Vancouver and the Israel Philharmonic.
In recital and chamber music, Giora has performed at Carnegie Hall, The Kennedy Center, The Metropolitan Museum of Art in New York, San Francisco Performances, the Louvre Museum in Paris, and Tokyo's Musashino Cultural Hall. Festival appearances include the Ravinia Festival, the Santa Fe and Montreal Chamber Music Festivals, Bard Music Festival, Scotia Festival of Music and Music Academy of the West. He has collaborated with eminent musicians including Yefim Bronfman, Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Ralph Kirshbaum and the late Michael Tree.
Born in Philadelphia to professional musicians from Israel, Giora began playing the violin at the age of four. He has studied with Patinka Kopec and Pinchas Zukerman at the Manhattan School of Music, and the late Dorothy DeLay and Itzhak Perlman at The Juilliard School. Committed to education and sharing his passion for music, Giora was on the faculty of the Juilliard School, the Perlman Music Program and was recently appointed Assistant Professor of Violin at the University of Cincinnati-College Conservatory of Music. Through technology and social media, he continues to find new ways of reaching young violinists and music lovers around the world.
He is the recipient of an Avery Fisher Career Grant, The Classical Recording Foundation's Samuel Sanders award, and was a Starling Fellow at the Juilliard School.
Cleveland Plain Dealer
"High on individuality, Schmidt's rendition of the great violin showpiece was impossible to resist, captivating with lyricism, tonal warmth, and boundless enthusiasm. Where so many performances are carbon copies, this one was his alone."
The Chronicle Herald
"He soared, he dazzled, he ripped the double-stops from the strings in handfuls, and rippled through the scale passages with a tone of silvered lightning."
The Miami Herald
"[He] possesses a daunting technical arsenal and sailed through the bravura passages of the outer movements with remarkably even articulation at a rapid tempo, without breaking a sweat."
South Florida Classical Review
"Schmidt clearly can make the violin do whatever he wants.”
"...Schmidt held the audience rapt. There was not a cough or rustle to be heard.
[He] made this most familiar of concerti sound fresh, almost improvisatory, as if the music had never been heard before."
"Stunning silky tone, technical wizardry, and immensely stylish playing.”
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